Den moderne kulturs historie II, foråret 2005, onsdage 10-13, lokale 25.1.28 (tilvalg), onsdage 17-20, lokale 24.5.07 (ÅU).

v. Mette Kia Krabbe Meyer og Pawel Antoni Lange

Semesterplan, pensum, supplerende litteratur og uddelte ark (til nedladning!)

Oversigtslitteratur:

Robert Hughes: The Shock of the New. Art and the Century of Change, London: Thames & Hudson, 1980.

Stephen Kern: The Culture of Time and Space 1880-1918, Cambridge, Massachusetts: Harvard Universty Press, 1983.

Donald M. Lowe: History of Bourgeois Perception, University of Chicago Press, 1982.

2. Februar: Stadige fornyelser – modernisme- og avantgarde-begreber. Gennemgang af semestret og fordeling af oplæg (MKKM&PAL)

Pensum:
1. Peter Bürger: Theory of the Avant-Garde, University of Minnesota Press, 1989 (1974), s. 55-82 (43 ns.). ISBN 0-8166-1068-1 (135).
2. Malcolm Bradbury og James McFarlane: ”The Name and Nature of Modernism” in Modernism: 1890-1930, Malcolm Bradbury & James McFarlane (ed.), Harmondsworth, Penguin, 1991, s. 19-55 (44 ns.). ISBN 0-14-013832-3 (687).
3. Josie Bland: ”The Academy and the Avantgarde” in Investigating Modern Art, Liz Dawtrey et al. (ed.), Yale University Press, 1996, s. 35-46 (20 ns.). ISBN 0-300-06796-8 (185).

Supplerende:

Carsten Sestoft: "Ordet fanger. Moderne-begrebernes historie", Kritik nr. 136. København. 1998. s. 28-39.

Hand-out

Illustrationer

9. februar: Multiperspektivisme (MKKM)

Pensum:
1. Karl Ruhrberg: ”The Calm after the Storm. Cubism, or Classical Modern Art” in Art of the 20th Century, Ingo F. Walther (ed.), Taschen, 2000, s. 67-83 (26 ns.) 3-82-28-5907-9 (860).
2. John Berger: ”The Moment of Cubism” in John Berger: The Moment of Cubism and other Essays, Weidenfeld & Nicolson, London, 1969. s. 1-32 (34 ns.). ISBN 297177095 (139).
3. Guillaume Apollinaire: ”On the Subject in Modern Paiting” in Art in Theory (2,5 ns.).
4. Guillaume Apollinaire: ”The new Painting: Art Notes” in Art in Theory (1,5 ns.).
5. Jacques Rivière: ”Present Tendencies in Painting” in Art in Theory (7 ns.).
6. Fernand Léger: ”The Origins of Painting and Representational Value” in Art in Theory (7 ns.).
7. Georges Braque: ”Thoughts on Painting” in Art in Theory (1 ns.).
8. Virginia Woolf: Uddrag af To the Lighthouse (1927), Wordsworth, 1994, s. 1-26 (25 ns.) ISBN 1 85326 091 6 (196).

Supplerende:

Erich Auerbach: "In the Hôtel de la Mole". Mimesis.The Representation of Reality in Western Literature, Princeton University Press, 1991.

Del-ud

16. februar: Funktionalisme (MKKM)

Pensum:
1. Walter Gropius: “The Theory and Organization of the Bauhaus” in Art in Theory (8 ns.).
2. Gropius, Walter: “The New Architecture and The Bauhaus” in Movements, Currents, Trends, Eugen Weber (ed.), D.C. Heath 1992, s. 353-363 (15 ns.). ISBN 0-669-27881-5 (800).
3. Le Corbusier: “Purism” in Art in Theory, s. 237-240 (7 ns.).
4. Carsten Thau: ”Bauhaus – eller menneskets frigørelse gennem arkitekturen” in Tema: Funktionalisme, Århus, 1986, s. 231-257 (24 ns.) ISBN 8774925911 (320).
5. Adolf Loos: „Ornament und Verbrechen“ in Schriften, bd. 2, Brenner-Verlag, 1931(10 ns.).

Supplerende:

Beatriz Colomina: "The Split Wall: Domestic Voyeurism" in Sexuality & Space, Colomina (ed.), New York: Princeton Architectural Press, 1992.

Lars Dybdahl: "Virkelig kunstindustri" - dansk industridesign i mellemkrigstiden in ARGOS, nr. 6, 1988.

Kenneth Frampton: Modern Architecture. A Critical History, London: Thames & Hudson, 1992.

Pam Meecham og Julie Sheldon: "From the Machine Aesthetic to Technoculture" in Modern Art: A Critical Introduction, Routledge 2001.

Victor Margolin (ed.), Design Discourse. History, Theory, Criticism, Chicago/London: The University of Chicago Press, 1989.

Linda Rampell: Designatlas. En Resa genom Designteori 1845-2002, Stockholm: Gabor Palotai Publisher, 2003.

Carsten Thau & Kjeld Vindum: Arne Jacobsen, København: Arkitektens Forlag, 1998.

Mark Wigley: "Untitled: The Housing of Gender" in Sexuality & Space, Colomina (ed.), New York: Princeton Architectural Press, 1992. Samt White Walls, Designer Dresses. The Fashioning of Modern Architecture, Cambridge/London, MIT Press 1995.

Del-ud

Illustrationer

23. februar: Varekultur - Reklame (MKKM)

Pensum:
1. Laszlo Moholy-Nagy: ”Die Fotografie in der Reklame” in Film und Foto der zwanziger Jahre, Ute Eskildsen og Jan-Christopher Horak (ed.), Hatje, 1979, s. 146-150 (15 ns.). ISBN 3775701419 (252).
2. Siegfried Kracauer: ”Die Lichtreklame” in Schriften 5.2, Suhrkamp Verlag, 1990, s. 19-21 (3 ns.). ISBN 3518574663 (426).
3. Siegfried Kracauer: ”Luftschlösschen” in Schriften 5.3, Suhrkamp Verlag, 1990, s. 17-19 (3 ns.). ISBN 3518574663 (410).
4. Otto Gelsted: ”Reklameskibet” in Dansk Lyrik 1915-1955, Gyldendal, 1957, s. 74-76 ((287).
5. Abigail Solomon-Godeau: ”The Armed Vision Disarmed: Radical Formalism from Weapon to Style” in Photography at the Dock. Essays on Photographic History, Institutions, and Practices, University of Minnesota Press 1991, s. 52-84 (35 ns.). ISBN 0-8166-1971-9 (322).
6. Gunhild Agger:: ”Fra fabrik til forførelse – om dansk reklames udvikling i perioden 1880 – 1920” in Reklame – Kultur, Jensen m.fl. (ed.), Aalborg Universitetsforlag, 1993. s. 129-164 (35 ns.). ISBN87-7307-462-4 (224).

Supplerende:

Walter Benjamin: "G (Exhibitions, Advertising, Grandville" in The Arcades Project, Cambridge/Massachussetts: Belknap Press, 1999.

Stuart Ewen: "Marketing Dreams. The political elements of style" in Concumption, Identity, and Style, Marketing, Meanings, and the Packaging of Pleasure, Routledge 1990

Matthew Simms: ”Albert Renger-Patsch’s Die Welt ist schön” in History of Photography, vol. 21., no. 3, 1997. s. 197-204.

Links:

http://adbusters.org/home/

http://www.stayfreemagazine.org/

http://www.djh.dk/semesterprojekt/2003e/multi/dinby/

http://www.adbusters.no/galleri.htm

Del-ud

2. marts: Fascisme (MKKM)

Pensum:
1. Rudolf Wolters: Moderne tysk arkitektur, Volk und Reich, Berlin, 1941, s. 5-20 (13 ns.).
2. Alfred Rosenberg: ”The Myth of the Twentieth Century” in Art in Theory (2 ns.).
3. Adolf Hitler:: ”Speech Inaugurating the ’Great Exhibition of German Art’” in Art in Theory (5 ns).
4. Adolf Hitler: Min Kamp, Paludan, 1966, s. 46-55 (13 ns.).
5. Susan Sontag: ”Fascinating Fascism” in Under the Sign of Saturn, Anchor Books, Doubleday, New York, 1980. s. 73-105 (20 ns. ). ISBN: 0-385-26712-6 (210).
6. Anders Troelsen: ”Myte og montage. Om fascisme og modernisme mellem land og by” in Tema: Funktionalisme, Århus, 1986, s. 201-229 (27 ns.). ISBN 8774925911 (320).

Supplerende:

Sofie Lene Bak: Dansk antisemitisme 1930-1945, Aschehoug, 2004.

Zygmunt Bauman: Modernitet og holocaust, Hans Reitzels forlag, 2001.

Walter Benjamin: "Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. Erste Fassung" in Gesammelte Schriften. Ed. Hermann Schweppenhäuser. Vol. I.II. Frankfurt am Main: Suhrkamp Verlag, 1974, s. 431-469.

Hans Bonde: Niels Bukh. En politisk-ideologisk biografi. 1 Danmarks store ungdomsfører (1880-1939). Vol. 2 Ikaros fra Ollerup. 2 vols. København: Museum Tusculanums Forlag, 2001.
---. Niels Bukh. En politisk-ideologisk biografi. 2 Ikaros fra Ollerup. 2 vols. København: Museum Tusculanums Forlag, 2001.

Clément Chéroux (ed.): Mémoire des camps, photographies des camps de concentration et d’extermination nazis (1933-1999), Editions Marval, 2001. Heri tekst af Georges Didi-Huberman.

Niels Senius Clausen m.fl: Fascismens billeder, 3 tv-udsendelser, 1 elevhæfte, Danmarks Radio, 1980.

Saul Friedlander (ed.): Probing the limits of representation: Nazism and the "Final solution”, Harvard University Press, 1992.

Siegfried Kracauer: From Caligari to Hitler. A Psychological History of the German Film, Princeton University Press, 1947.

Claude Lanzmann: "The obscenity of Understanding: An Evening with Claude Lanzmann" in Trauma: Explorations in Memory, Cathy Caruth (ed.), 1995.

Radio:

P1: Antisemitisme - før og nu

Kun Åbent Universitet:
Lørdag d. 5. marts: Film Noir (PAL)

9. marts: Reaktioner på 2. verdenskrig (PAL).

Pensum:
1. Martin Esslin: ”The Significance of the Absurd” in The Theatre of the Absurd, Methuen, 1974, s. 350-377 (26 ns.), ISBN: 413311309 (462).
2. Robert Porfirio: ”Existential Motifs in the Film Noir” in Film Noir Reader, ed. Alain Silver og James Ursini, Library of Congress, NY, 1996, s. 77-93 (23 ns.) ISBN: 0-87910-197-0 (343).
3. Albert Camus: Sisyfosmyten (1942), Gyldendal, 1992, s. 11-28 + 113-117 (20 ns.) ISBN 87-00-12918-6 (134).
4. Jean-Paul Sartre: Fra Existentialism and Humanism in Art in Theory, s. 587-90 (5 ns.)

16. marts: Kulturindustri – bla. Hollywood (PAL).

Pensum:
1. Max Horkheimer og Theodor W. Adorno: ”Kulturindustri” in Oplysningens dialektik. København, 1993. s.179-196 (16 ns.). ISBN 87-00-15532-2 (348).
2. Herbert Marcuse: Det endimensionale menneske, København, Gyldendal, 1971, s. 73-98 (24 ns.) ISBN 8700436119 (263).
3. Douglas Gomery: ”The Hollywood Studio System” in The Oxford History of World Cinema, Geoffrey Nowell-Smith (ed.), Oxford University Press, 1997, s. 43-53 (16 ns.), ISBN: 0 19 874242 8 (1630).
4. Thomas Schatz: ”Hollywood: The Triumph of the Hollywood System” in The Oxford History of World Cinema, Geoffrey Nowell-Smith (ed.), Oxford University Press, 1997, s. 220-234 (18 ns.) ISBN: 0 19 874242 8 (1630).

23. marts: PÅSKEFERIE

30. marts: Massekultur og kunst – bl.a. popkunst (PAL)

Pensum:
1. Karl Ruhrberg: ”The Fascination of the Trivial” in Art of the 20th Century, Ingo F. Walther (ed.), Taschen, 2000, s. 303-327 (29 ns.). ISBN 3-82-28-5907-9 (860).
2. Lawrence Alloway: ”The Arts and the Mass Media” in Art in Theory (3,5 ns.).
3. Richard Hamilton: ”For the Finest Art, Try Pop” in Art in Theory, (2 ns.).
4. Andy Warhol. ”Interview with Gene Swenson” in Art in Theory, (6 ns.).
5. Thomas Crow: ”Saturday Disasters: Trace and Reference in Early Warhol” in Modern Art in the Common Culture, Yale University Press, 1996, s. 49-65 (20 ns.). ISBN: 0300064381 (274).
6. Frederic Jameson: ”Postmodernismen og den sene kapitalismes kulturelle logik” (1983) in K&K 1985, s. 82-105 (33 ns.), ISBN 01057367.

Kun Åbent Universitet:
Lørdag d. 2. April: Filmhistorie (PAL)

6. april: Optikker fra periferien: køn og race, modbilleder og parodier (MKKM)

Pensum:
1. ”VII Introduction” in Art in Theory (7 ns.).
2. Artforum: from ”The Artist and Politics: a Symposium” in Art in Theory (7 ns.).
3. Roland Barthes from ’Myth Today’ in Art in Theory (9 ns.).
4. Guy Debord: ”Separation perfected” in Society of the Spectacle (1977), s. 11-24 (12 ns.), Zone Books 1995. ISBN 0-942299-79-5 (154).
5. Victor Burgin from ’Socialist Formalism’ in Art in Theory (9 ns.).
6. Laura Mulvey: ”Skuelysten og den fortællende film” in Tryllelygten 1.1.1991, s. 69-81 (21 ns.). ISSN 09060871.
7. Mette Sandbye: ”Den menneskelige identitet som forklædning. Cindy Sherman” in Det iscenesatte fotografi, Politisk Revy, 1992. s. 137-162 (26 ns.). ISBN 8773780952 (219).

Supplerende:

Tony Godfrey: "Looking at Others. Artists Using Photography" in Conceptual Art, Phaidon 1998.

Amelia Jones: "Postmodernism, Subjetivity, and Body Art: A Trajectory" og "The Rhetoric of the Pose: Hannah Wilke and the Radical Narcissism of Female Body Art" in Body Art / Performing the Subject, Minneapolis / London, University of Minnesota Press, 1998.

Amelia Jones: "Tracing the Subject with Cindy Sherman" in Cindy Sherman. Retrospective, London, Thames & Hudson, 1997.

Elizabeth Seaton: "Imitating Authorities: Theory, Gender, and Photographic Discourse" in Theory Rules, Toronto, YYZ Books 1996.

Abigail Solomon-Godeau: "Suitable for Framing: The Critical Recasting of Cindy Sherman" in Parkett 29 (1991), p. 112-115.

Abigail Solomon-Godeau: "Winning the Game When the Rules Have Been Changed: Art Photogr aphy and Postmodernism" in Screen 1984, vol. 25, no.6.

Situationisme-links:

Art in the 20th Century

Mikkel Bolt: Situationistisk Danmarkskort

situationist international online

Del-ud

13. april: Postmodernisme og arkitektur (PAL)

Pensum:
1. Carsten Thau: ”Fra Bauhaus til Las Vegas” in K&K 53, 1989, s. 80-90 (16 ns.), ISBN 8773321532.
2. Charles Jencks: Postmodernism, Academy Editions, 1987, s. 11-36+329-50 (54 ns.). ISBN 0 85670-867-4 (360).
20. april: Ny teknologi og digital kunst (PAL)
Pensum:
1. Derek Foster: ”Community and identity in the Electronic village” in Internet Culture, ed. David Porter, Routledge, NY, 1996, s. 23-38 (18 ns.), ISBN 0-415-91684-4 (275).
2. Lars Kjerulf Petersen: Technokultur, Multivers, 2001, s. 163-181 (26 ns.). ISBN 87-7917-033-1 (195).
3. Pierre Levy: ”The Art of Cyberspace” in Electronic Culture, s. 366-68 (3,5 ns).
4. Martin Lister: ”Introductory Essay” in The Photographic Image in Digital Culture, Martin Lister (ed.), Routledge, London, 1995 (35 ns.). ISBN 0-415-12157-4 (490).

27. april: Return of the real (MKKM)

Pensum:
1. Mette Sandbye: “Fotografisk anamnese – fotografiets indeksikalitet og temporalitet som strategi i samtidskunsten” in Kritik 122, 1996. s. 55-67 (26 ns.). ISSN 0454-5354 (205).
2. Gitte Ørskou: ”Hjem, kære hjem” in Passepartout 13, 1999. s. 181-191. ISBN 09085351 (209).
3. Régis Durand: ”Event, Trace, Intensity” in Discourse 16.2, Winter 1993-94, s. 118-126 (10 ns.). (206).

Supplerende:

Thierry de Duve: "Time Exposure and Snapshot: The Photograph as Paradox in October, vol. 5, 1978, s. 113-125.

Mette Sandbye: "Avantgarde, hverdagsliv og fotografisk realisme" in Virkelighed, virkelighed. Avantgardens realisme, Karin Petersen og Mette Sandbye (ed.), Tiderne Skifter.

Kun Åbent Universitet:
Lørdag d. 30. april: Museumsbesøg: Gerhard Richter på Louisiana (MKKM)

Supplerende:

"Gerhard Richter (b. 1932) from "Interview with Benjamin Buchloh"" og "Gerhard Richter (b. 1932) Notes" in Art in Theory 1900-1990. An Anthology of Changing Ideas, Harrison & Wood (ed.), Blackwell, 1992, s. 1036 ff.

4. maj: Opsamling. Diskussion af opgaveskrivning (PAL&MKKM)